In lieu of writing a new piece, I'll just share this image of a menorah from last year.
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Israel Hanukkah coin, 1973, depicting eighteenth-century Iraqi menorah |
Full background on the coin and its subject matter here.
"In fiction, the principles are given, to find
the facts: in history, the facts are given,
to find the principles; and the writer
who does not explain the phenomena
as well as state them performs
only one half of his office."
Thomas Babington Macaulay,
"History," Edinburgh Review, 1828
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Israel Hanukkah coin, 1973, depicting eighteenth-century Iraqi menorah |
It has been chosen as being symbolic of the spiritual strength and belief of Jews, in Arab countries, in their return to Zion and in our days of their leaving "the rivers of Babylon", from dark to light, from oppression to prosperity and from bondage to redemption in the Land of Israel.
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"Religious Freedom in America" canceled? stamp commemorating the Flushing Remonstrance, 1957 |
It is now no more that toleration is spoken of as if it were the indulgence of one class of people that another enjoyed the exercise of their inherent natural rights, for, happily, the Government of the United States, which gives to bigotry no sanction, to persecution no assistance, requires only that they who live under its protection should demean themselves as good citizens in giving it on all occasions their effectual support. . . .The letter is today an iconic document of pluralism: oft-cited, and ceremoniously read from the pulpit of Newport's Touro Synagogue each year.
May the children of the stock of Abraham who dwell in this land continue to merit and enjoy the good will of the other inhabitants—while every one shall sit in safety under his own vine and fig tree and there shall be none to make him afraid.
I am informed that a Ship with Palatines is gone up to Baltimore, among whom are a number of Trademen. I am a good deal in want of a House Joiner and Bricklayer, (who really understand their profession) and you would do me a favor by purchasing [=hire on contract; JW] one of each, for me. I would not confine you to Palatines. If they are good workmen, they may be of Asia, Africa, or Europe. They may be Mahometans, Jews or Christian of any Sect, or they may be Athiests. I would however prefer middle aged, to young men.Washington may have been exaggerating in order to make the point that he judged a man only by his skills, but it was clear that the principle of toleration would extend to free Muslims including voluntary immigrants. When Washington wrote his letter to the Newport congregation, the United States was unique in guaranteeing full civil and political rights to citizens of all faiths (even the French revolutionaries were still grappling with the issue). Traditional New Englanders had worried that religious "toleration" "opened a door for Jews Turks & infidels" as citizens, but that was exactly the point. Richard Henry Lee, though an advocate of tax-supported religion, wrote to James Madison in 1784: "True freedom embraces the Mahomitan and the Gentoo (Hindu) as well as the Christian religion." And, addressing Irish immigrants the previous year, Washington declared, "The bosom of America is open to receive not only the Opulent and respectable Stranger, but the oppressed and persecuted of all Nations And Religions."
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(late 19th-century engraving) |
On a visit to the site during those renovations I discovered a story that wasn’t known until then, regarding the Jewish-Ottoman-Palestinian connection to the mosques on Temple Mount.
Story of the iron panel
The Dome of the Rock was surrounded with scaffolding, and before ascending one of them a friend of mine drew my attention to an iron panel that lay on the floor and was inscribed in French. The foreman of the Irish construction company said the panel had been found between the two halves of the crescents at on top of the mosque, and was temporarily dismantled so that the dome could be coated in gold.
The words in French revealed that the Mosque had been renovated in 1899 during Turkish rule, and that the works had been assisted by the Jewish community in Jerusalem led by a public figure called Avraham (Albert) Entebbe, who among his numerous other activities was also the principal of the city's "Kol Israel Haverim" school.
Entebbe, who was the undersigned on the French inscription, was known for his courageous ties with the heads of the Ottoman rule, and the inscription noted that for the purpose of renovating the mosques on the Temple Mount five acclaimed Jewish artists had been invited to Jerusalem. The Jewish stone carvers, wood carvers and iron mongers from various cities in the Mediterranean basin, shared their skills with their Muslim brothers during months of work.
Zenith of Jewish-Muslim cooperation
The inscription also noted that all the students at Entebbe's school were given a three-month leave in order to assist their Muslim brothers in the renovations works on Temple Mount. In the last lines of the inscription, Entebbe described the ideal cooperation and understanding that prevailed between Jews and Muslims in the Holy City, which reached its zenith when the Jews undertook renovations of the Temple Mount mosques in 1899.
from my office door: humorous take on Columbus as villain, 1992 |
This past January, almost exactly 20 years after its publication, Tucson schools banned the book I co-edited with Bob Peterson, Rethinking Columbus. It was one of a number of books adopted by Tucson's celebrated Mexican American Studies program—a program long targeted by conservative Arizona politicians.
The school district sought to crush the Mexican American Studies program; our book itself was not the target, it just got caught in the crushing. Nonetheless, Tucson's—and Arizona's—attack on Mexican American Studies and Rethinking Columbus shares a common root: the attempt to silence stories that unsettle today’s unequal power arrangements.
For years, I opened my 11th grade U.S. history classes by asking students, "What's the name of that guy they say discovered America?" A few students might object to the word "discover," but they all knew the fellow I was talking about. "Christopher Columbus!" several called out in unison.(Arizona's policies in areas ranging from border enforcement to education have raised charges of bias against legal immigrants and other members of the Latino@ population. The Amherst Select Board in 2010 approved a boycott of Arizona based on its in our view discriminatory immigration law.)
"Right. So who did he find when he came here?" I asked. Usually, a few students would say "Indians," but I asked them to be specific: "Which nationality? What are their names?"
Silence.
In more than 30 years of teaching U.S. history and guest teaching in others' classes, I've never had a single student say "Taínos." So I ask them to think about that fact. "How do we explain that? We all know the name of the man who came here from Europe, but none of us knows the name of the people who were here first—and there were hundreds of thousands, if not millions, of them. Why haven't you heard of them?"
This ignorance is an artifact of historical silencing—rendering invisible the lives and stories of entire peoples. It's what educators began addressing in earnest 20 years ago, during plans for the 500th anniversary of Columbus's arrival in the Americas, which at the time the Chicago Tribune boasted would be "the most stupendous international celebration in the history of notable celebrations." Native American and social justice activists, along with educators of conscience, pledged to interrupt the festivities.
In an interview with Barbara Miner, included in Rethinking Columbus, Suzan Shown Harjo of the Morning Star Institute, who is Creek and Cheyenne, said: "As Native American peoples in this red quarter of Mother Earth, we have no reason to celebrate an invasion that caused the demise of so many of our people, and is still causing destruction today." After all, Columbus did not merely "discover," he took over. He kidnapped Taínos, enslaved them—"Let us in the name of the Holy Trinity go on sending all the slaves that can be sold," Columbus wrote—and "punished" them by ordering that their hands be cut off or that they be chased down by vicious attack dogs, if they failed to deliver the quota of gold that Columbus demanded. One eyewitness accompanying Columbus wrote that it "did them great damage, for a dog is the equal of 10 men against the Indians."
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Fuck Columbus, Celebrate Indigenous Resistance |
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Columbus Slavery |
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Columbus Genocide |
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(and once more, for good measure) Fuck Columbus, Celebrate Indigenous Resistance |
"It's not my intention to say something about Columbus; rather, I want to change the sculpture from public sculpture into a completely different thing," Nishi said.Others saw it differently. I was surprised (though perhaps I should not have been) to see that an Italian-American organization, rather than applauding the attention (not to mention, the originality of the artistic conception), chose to criticize the installation:
He was not alone:Rosario Iaconis, chairman of the Italic Institute of America, commented on the project before it opened."Columbus was a man of the Renaissance, an exemplar of that civilization. This, is foolishness. This is not art. If it's his particular vision, it's a skewed vision, so I, again with due respect to Mr. Nishi, I think he stumbled on his project.
“Why did they have to choose such a beautiful and symbolic landmark for such a trivializing display and then obfuscate its absurdity by calling it 'art'?” asked Andre’ DiMino, president of the One Voice Coalition, an Italian-American non-profit dedicated to combating discrimination within the community.It's somehow fitting: even on a purely aesthetic plane, a reminder of the earlier veneration of Columbus cannot escape controversy—even if it now comes from his admirers.
“It just adds insult to injury to cover it up on Columbus Day – a day of national pride,” he said.
While the Consul General of Italy is personally interested in this exhibition, she understands that some people won’t embrace it.
“It's normal,” said Natalia Quintavalle. “It happens every time when you have a sort of expression of contemporary art like that which intervenes on something old which represents much for Italians and Italian Americans in New York."
Others argue that from a civic participation point of view the exhibit is out of character artistically with the area.
“Covering it up entirely obscures it from people walking by who wish to see it on the street,” said Frank Vernuccio, a board member of the Enrico Fermi Cultural Committee, a Bronx non-profit that promotes Italian culture. Vernuccio does not intend to visit the exhibit and he encourages the city to take it down as soon as possible.
Mayor Michael Bloomberg disagrees with the objections. “You can't see it from the street and here you can get your eyes 10 inches away,” he said at the opening preview in September. “We would have had to cover it to do the restoration anyways.”
Circumcision of Christ (1466) |
For starters, neither candidate will mention it—ever. As long as he’s in politics. As long as he lives.and
Circumcision is repressed as a subject because, at this very moment, it’s that hot to the touch.
What a tangled psychosexual web we weave. As with abortion, transvaginal this and that, or the dozen issues surrounding sexual orientation, what seems natural to one side horrifies the other. Religion and ethnicity come into play, and ancient rivalries, and lizard-brain subjects involving physicality and sex and death and what disgusts you and what makes you feel freeShe moreover legitimately asks whether it is a right- or left-wing issue, a feminist or religious or human-rights issue, an ethnic or anti-ethnic issue, and so forth (even manages to work in Ron Paul and crypto-Nazi hostility to the pricks of the Federal Reserve).
Despite being the work of two French Protestant refugees who had fled to Holland, the book attempted to accurately depict even Catholic customs, and it gave more favorable and extended attention to Islam than anyone had before. Picart and Bernard devoted so much space to the “idolatrous peoples” of the New World, Asia and Africa because they sought in comparison of the world’s religions fresh evidence for new universalist arguments about the origins and development of religion. They themselves were more interested in what religions had in common – and perhaps even in an heretical religious syncretism – than in how they differed.Peter N. Miller recently wrote a nice review of this study as well as a complementary one, Guy Stroumsa's A New Science: The Discovery of Religion in the Age of Reason (Harvard again), for the New Republic. (Because the piece is behind a paywall, I'll quote the relevant passages.) There, he analyzes the authors' research agendas and conclusions in the context of both cultural history and the history of the book. The authors persuasively argue that the Picart volume “helped create the field of the comparative history of religion." Miller does not disagree:
By approaching the book as a world in itself, and then leading out from it back into the wider world, they make a strong argument for the significance of this work and its makers. Contextualization and celebration do not always go hand in hand, and while the larger claim—changing the world—does not always come off, it is incontrovertible that the process in which this book participated, if not the book itself, did indeed change the world. For this book represents, in microcosm, nothing less than our scholarly generation’s answer to the old question, “What is Enlightenment?” . . . .
Toleration is central to this new vision of enlightenment. Its motto is not “dare to know” so much as “dare to allow others to know in their own way.” And so we are told that Religious Ceremonies of the World “marked a major turning point in European attitudes toward religious belief and hence the sacred. It sowed the radical idea that religions could be compared on equal terms, and therefore that all religions were equally worthy of respect—and criticism.” The importance of religion in our current world, and the presence in it, or absence from it, of toleration, is what on some level makes works such as this, or Jonathan Israel’s series of mega-tomes on the Enlightenment, monuments to our own concerns. Not only did Religious Ceremonies win a wide readership—and make a lot of money for Bernard the printer—but it also, according to Hunt, Jacob, and Mijnhardt, “helped create the field of the comparative history of religion, and to this day its engravings still appear in museum exhibits as documentation for religious customs.”At the same time, he finds in Stroumsa's book "a useful corrective" to the ghost of the old "secularization thesis" in the work of Hunt, et al.:
By focusing on sixteenth- and seventeenth-century antiquarian scholarship on religion, which swiftly moved to incorporate the latest ethnographic data on the principle that going far away in space helped one go back far away in time, he shows that Picart and Bernard were in fact the end point of a much longer transition. And this was a transition spearheaded by the Casaubons of European scholarship, the “dead from the waist down” researchers who wrested all sorts of obscure details from the claws of ever-ravenous time. To understand Picart, Stroumsa implies, we need to understand the revolution in Renaissance philology and comparatism. And Stroumsa makes the point that the philological comparison comes before the comparison between manners and mores, and that the sequence is necessary.
The specific way in which Religious Ceremonies of the World functioned as an agent of change was by focusing on rituals—and hence depiction becomes not only possible, but desirable. If everyone has some ritual for birth or death or marriage, then religion appears as a universal phenomenon, and a given religion but a local manifestation of it. Comparison could work to diminish feelings of uniqueness and superiority. Toleration, we are told, followed from this.He thus concludes by praising Hunt, et al. for providing a new "model of how historians may read images." (one wonders: Is he familiar with Lynn Hunt's earlier work on the French Revolution and similar endeavors?).
The view of its authors is that the engravings are linked to the text, “but they are not just auxiliaries to it.” Hunt and her colleagues are very good at reading Picart to show the subtlety involved in how he chose the image to give to readers. His approach is essentially to “Europeanize” the natives. Even where the text went down arcane byroads, the images stayed focused on the high road: birth, marriage, death, and processions. Thus, in the section on Islam, twenty-two of the twenty-six folio-page engravings illustrate customs and religious ceremonies, even though they cover only 47 of the 291 pages. In this way the images shifted the discussion from a question of truth revealed to a select few to an issue of wider comparative practices.
Why are the images so necessary? If we compare this book to the seventeenth-century literature discussed by Stroumsa, the answer becomes clear. The same project of popularization that moves away from a learned language (Latin) and audience (professors) makes the use of images desirable: they offer a direct connection to the imagination. The broader social process that gave birth to what people today call the “public sphere,” “civil society,” or “commercial society” broadened the reading public, and gave a new meaning to “society.” Publishing was a huge engine of this development. New literary genres such as travel writing, biography, and the novel, and new kinds of books, especially illustrated ones, were essential means of communication.Here is the illustration from the introduction to the Bernard-Picart book (from my collection; this one, I was able to acquire). It depicts members of four religions worshiping the divine, each in his way. From left: the Jew (with prayer book and what is presumably a Torah scroll; though none could ever be read in that manner), the Catholic priest before an altar, the "Mohammedan" (shoes removed and holding prayer beads in an attitude of worship), and the "Idolater" praying to the sun and nature. The engraving, by F. Morelon la Cave, lacks Picart's vaunted accuracy but is faithful to his respectful spirit.
Such tolerance goes far back in Jewish history. 'He who communicates a word of wisdom, even if he be a non-Jew, deserves the title of wise.' [a citation from the Talmud; JW] 'Christians are not idolaters' was the burden of many Jewish utterances . . . 'He who sees a Christian sage,' says the Shulchan Aruch [code of ritual law; JW], must utter the benediction: 'Blessed art Thou, O Lord, King of the World, who has bestowed of Thy wisdom on man.' (415)He notes: "though the greatest Jewish authorities of the middle ages unanimously declared that the term 'idolater' did not include Christian or Moslem, many of these ceremonial laws remained in force with the masses." (411) Ironically, "the Christian masses were on the whole more tolerant than their priests and rulers. But the Jewish masses were less tolerant than their spiritual and intellectual heads."
I am filled with shame for this hateful act. I came here, to this burnt Mosque, and I am shocked to the depths of my soul. This is desecrating the holy. One cannot put up with this abomination and I believe that there is not one Israeli who is not ashamed by this arson attack. This evil act is not only against the law, it is against Judaism, morality and spirit. We will not rest and will not be silent until we apprehend the culprits and they will be punished.The Sephardic Chief Rabbi said, "This is a desecration of God's name, a desecration of the State of Israel, and a desecration of all peoples and religions. All of us must raise our voices against terror." The Prime Minister's office described Benjamin Netanyahu as "furious," quoting him as saying, "The pictures are horrifying and have no place in Israel," whose values of "freedom of religion" the incident flagrantly contradicted.
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Joseph's Tomb: lithograph by David Roberts (Brussels, 1849) |
“The swastika is a vile symbol of racist, murderous ideology, and it is clear that drawing this symbol anywhere in the world is a vile deed – especially in a Jewish religious holy place,” Gush Shalom spokesperson Adam Keller said.Keller went on to note that some such sites, especially those located in the Palestinian Authority, were sacred to more than one faith, and that Jewish worshipers needed to be sensitive to local rules.
“Joseph’s Tomb in the heart of the city of Shechem is a holy place for Judaism and the desire of religious Jews to visit it is perfectly legitimate,” he added.
Under the 1993 Oslo Accords, the site was to remain under Israeli control. But the Israeli army evacuated the premises in October 2000 shortly after the start of the second intifada, or uprising, and it was immediately destroyed and burnt by the Palestinians.
The restoration of the tomb was completed recently, and following improved security cooperation with the Palestinian Authority, the army allows Jewish worshipers to make monthly nocturnal pilgrimages to the site.In 2001, Columbia anthropologist Nadia Abu El Haj provoked controversy with a book on the politics of Israeli archaeology that won plaudits in some fashionable political and non-specialist academic circles but little respect from serious field archaeologists and historians of the topic. Among its most controversial aspects was her willingness to legitimize what she coyly calls "looting" of historic and archaeological resources as: "a form of resistance to the Israeli state and an archaeological project, understood by many Palestinians, to stand at the very heart of Zionist historical claims to the land.” Exhibit number 1, cited in her conclusion: the destruction of Joseph's Tomb. Abu El Haj's book is but the hyper-theoretical, sophisticated, and "kinder, gentler" form of a disturbing tendency toward denial of the historical and archaeological record of an ancient and continuous Jewish presence (e.g. 1, 2, 3).
The Dome of the Rock was surrounded with scaffolding, and before ascending one of them a friend of mine drew my attention to an iron panel that lay on the floor and was inscribed in French. The foreman of the Irish construction company said the panel had been found between the two halves of the crescents at on top of the mosque, and was temporarily dismantled so that the dome could be coated in gold.When he asked to have a photograph made and returned the next day, the panel had disappeared. (Read the rest: "Friendship on the Temple Mount. The wonderful story of Jewish-Muslim cooperation under Turkish rule."
The words in French revealed that the Mosque had been renovated in 1899 during Turkish rule, and that the works had been assisted by the Jewish community in Jerusalem led by a public figure called Avraham (Albert) Entebbe, who among his numerous other activities was also the principal of the city's "Kol Israel Haverim" school.
Entebbe, who was the undersigned on the French inscription, was known for his courageous ties with the heads of the Ottoman rule, and the inscription noted that for the purpose of renovating the mosques on the Temple Mount five acclaimed Jewish artists had been invited to Jerusalem. The Jewish stone carvers, wood carvers and iron mongers from various cities in the Mediterranean basin, shared their skills with their Muslim brothers during months of work.
The inscription also noted that all the students at Entebbe's school were given a three-month leave in order to assist their Muslim brothers in the renovations works on Temple Mount. In the last lines of the inscription, Entebbe described the ideal cooperation and understanding that prevailed between Jews and Muslims in the Holy City, which reached its zenith when the Jews undertook renovations of the Temple Mount mosques in 1899.
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Yom Kippur (copperplate engraving; London, 1780) |
Chapter 57The High Holy Days are followed by the pilgrimage and harvest festival of Sukkot (Feast of Tabernacles), which commemorates the period in which the Israelites, according to tradition, dwelled in "tabernacles" or "booths" (Sukkot) while wandering in the wilderness after the Exodus. Because the holiday involves a ritual meal and the construction of a temporary and vulnerable shelter, it naturally lends itself to meditations on the theme of hunger and homelessness.
14 [The Lord] says:
Build up, build up a highway!
Clear the road!
Remove all obstacles
From the road of My people!
15 For thus said He who high aloft
Forever dwells, whose name is holy;
I dwell on high, in holiness;
Yet with the contrite and the lowly in spirit —
...
20 But the wicked are like the troubled sea
Which cannot rest,
Whose waters toss up mire and mud.
21 There is no safety— said my God —For the wicked.
Chapter 58
...
2 To be sure, they seek Me daily,
Eager to learn My ways.
...
3 "Why, when we fasted, did You not see?
When we starved our bodies, did You pay no heed?"
Because on your fast day
You see to your business
And oppress all your laborers!
4 Because you fast in strife and contention,
And you strike with a wicked fist!
your fasting today is not such
As to make your voice heard on high.
5 Is such the fast I desire,
A day for men to starve their bodies?
Is it bowing the head like a bulrush
And lying in sackcloth and ashes?
Do you call that a fast,
A day when the Lord is favorable?
6 No, this is the fast I desire:
To unlock the fetters of wickedness,
To let the oppressed go free;
And untie the cords of the yoke
To break off every yoke.
7 It is to share your bread with the hungry,
And to take the wretched poor into your home;
When you see the naked, to clothe him,
And not to ignore your own kin.
8 Then shall your light burst through like the dawn
And your healing spring up quickly;
Your Vindicator shall march before you...
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Sukkot (copperplate engraving; London, 1780) |
We celebrate by eating our meals in colorfully decorated succot which remind us of God’s protection in the desert. Our prayers in the synagogue are punctuated by the waving of the Four Species, by which we thank God for His agricultural bounty.
From this description, it might seem that the emphasis during Succot is on religious rituals connecting God and Israel. However, the great legalist-philosopher Maimonides makes the following comment in his Laws of Festivals: “During the days of our Festival, it is incumbent upon every individual to rejoice and to be glad of heart, parents, children and extended family. However, when one eats and drinks in a festival meal, we are commanded to offer hospitality to the stranger, the orphan and the widow together with other poor and needy individuals.
“He who closes the doors of his home or succa booth and only shares his meals with his personal family – without including around his table the poor and bitter of soul – is not rejoicing in a commandment, but is rejoicing in his stomach. About such individuals it is said, ‘Their sacrificial offerings are like the bread of the dead and those who eat in such an environment become defiled....’” The Four Species are symbolically described by the Sages of the Midrash as representing four types of Jews: The “etrog [citron] Jew” is both learned and filled with good deeds; the “lulav [palm branches] Jew” has learning but no good deeds; the “hadas [myrtle] Jew” has good deeds but no learning and the “arava [willow-branch] Jew” has neither learning nor good deeds. We are commanded to bind these four together, in order to remind us that a Jewish community consists of many types of Jews all of whom must be accepted and lovingly included within our Jewish community.
From examples like these, we see that a festival which superficially seems to be oriented solely toward religious ritual actually expresses important lessons in human relationships. (read the rest)Haim Shine goes even further:
Over the past few years, Jewish holidays . . . have acquired an additional meaning beyond their religious foundation. It is in mankind's nature to seek meaning, and the incredible pace of modern day life puts us in a never-ending quest for more meaning.Of course, holidays and campaigns for social justice, no less than the stock market, can produce outbursts of "irrational exuberance." Last I checked, the Sukkah had come down, and capitalism was still standing. But you get the point. There is much that even radicals can learn from tradition.
The recent Jewish New Year will always be remembered as the day when the false idol of capitalism disintegrated, and its fragments were strewn about the entire universe. Even the waters of many rivers could not wash away the clouds of dust that resulted from the collapse of the modern Tower of Babel. Wall Street's walls fell in minutes, signalling the end of capitalism, just like the fall of the Berlin Wall symbolized the end of communism.
.... A modern day association with Sukkot can be this past summer, when Israeli masses rallied together and answered the call of the disenfranchised throughout the country.
Judaism has a unique and ancient answer to the existential economic crisis - a beautiful and wonderful holiday, Sukkot. For centuries Jews have upheld the tradition of leaving the comfort of their concrete or wooden homes and moving in to a temporary tent-like home for eight days. The tradition calls for a small "Sukkah," with branches and leaves for a roof and walls of fabric. It is a structure that is hardly secure, and to which Ushpizin (guests) are invited, enabling every Jew to get to know their neighbor. It is a Sukkah that creates equality among mankind and binds us like the four species that are bound and presented during the holiday prayers.
Sukkot is a holiday in which we pray for rain and return to nature due to our commitment to environmental preservation and the preservation of our resources which ensure our existence. In the Sukkah we experience the temporary nature of our existence and are forced to act responsibly towards the coming generations. It is a wonderful time in which we conclude that our security does not lie in our strength, protection, or our egos, but rather in a life filled with values and respect for human life and honor, as well as a commitment to values, justice and morality.
We can only hope that upcoming events will lead Israelis and all of humanity to ponder the meaning of life beyond material assets.